By 1996 Carlo and the band had patched up their differences, Mayhem was let go and they became the new version of Razor. They returned to Cabin Fever to record their sophomore release ‘All You Can Eat’ in 1994. would record the ‘One of These Days’ album at Harry Hess’ (Harem Scarem) Cabin Fever studio in Newcastle, Ontario which was produced by Dave Carlo. Mills quit shortly thereafter and they recruited Rich Oosterbach on drums. Several albums and tours followed but Carlo struggled to keep his band afloat in the early 1990s, members Reid, Armstrong and Mills quit Razor to re-form Samhain under the new metal-friendly moniker S.F.H. Carlo’s band had fallen apart and he would recruit Reid, Armstrong and Mills to become the new Razor. Stunning.ġ983 Henry tthe VIII/Soup To Nuts (Savvy) SO2-1ġ984 White Christmas/ (Savvy) SO2-02ġ982 Reign of Terror (What The Poop)ġ985 Stinkin’ Out the Joint (Savvy) 8505-LĢ003 Christmas Time, Stand In Line Ģ003 Es Hat Uns Gut Gefallen (We Have Enjoyed Ourselves)Ģ006 Hijack Victim: Greatest & Unreleased Gems (Rave-Up – Italy) LP #48Ģ007 Last Exit to Rawk ‘n Roll (Speed City)ġ991 “More, More, More” on ‘CHRW – The 1991 London Compilation’ (What Wave/CHRW)Ģ005 “Media Junkie” on ‘Only in Canada, Eh 77-81 Volume 1’ (Punk History Canada) PHC-CD-0101ġ985 Born Too Soon (Psyche-Industry) PIR-08ġ985 “Exit Death” on ‘It Came From The Pit’ (Psyche Industry) PIR-05ġ989 “Baptism of Fire” on ‘Reargarde Presents The En Garde Compilation’ (En Guard) ENG-001īob Reid (guitars, vocals)/ Jon Armstrong (bass)/ Rob Mills (drums)/ Rich Oosterbosch (drums) / Danny Mayhem (guitars)įormed in the mid-1980’s as Samhain, the band released a cassette demo in 1987 that attracted the attention of Razor founding member Dave Carlo. The result was ‘Last Exit to Rawk n Roll’ released in the spring of 2007 on London’t Speed City Records.
Old grievances were long forgotten and the band began writing new material. In 2002 they reformed for a headlining’one off’ reunion show at London’s Call the Office and sold-out two nights back-to-back. After a decade of recording, touring and releasing records with little more than underground notoriety (and the advent of Grunge), the band called it a day The band members would spend the next decade in musical projects and career paths. They even managed to finagle their way onto a bill at the infamous CBGB’s in New York City opening for the Dead Boys’ late drummer Johnny Blitz and his band. They toured the SOuthern Ontario bar scene throughout the ’80s and regularly played Toronto. With bar owners hesitant to book them because of the connotations of their name they changed it to ’63 Monroe in 1980. Soon they were writing and recording their own material. They opened shows for local music heroes the Demics. back in late 1978/early 1979 playing mostly cover tunes. Stunning (vocals) / Markii Burnaway (guitar) / Mark DeRoux (bass) / Pete Lambourghini (drums) / Pete Dekoker (bass) / Jeff “Rooster” Rooth (drums) / Alex “Hamish” Howard (guitar) / Ian “Buzz” Collie (guitar) / Joe Kettlewell (drums) / Brian McMillian (guitar) / Tim Thompson (guitar, vocals) / Brad “Lavard” Ondrovcik (drums)London, Ontario’s ’63 Monroe was started by Steven R. Supreme Bagg Team, The Surbey And The Canadian V.I.P.’s, Pattyĭonald Boudreau (bass, clarinet, vocals) / Ronald Dupuis (drums, congas, percussion, harmonica) / Roland Gauvin (guitar, acoustic guitar, vocals) / Pierre Robichaud (guitar, acoustic guitar, bass, mandolin, vocals) / Kenneth Saulnier (guitar, banjo, mandolin, violin, vocals)įormed in Moncton, New Brunswick in 1977.ġ978 Le monde a bien change/Le monde qu’on connaît (Presqu’ile) PE-2508ġ980 Je t’aime/ Boire ma bouteille (A/Z) A/Z1-754ġ979 Vivre a la Baie (Presqu’ile) PE-7519ġ994 Les retrouvailles de la Famille/Live au Colisée de Moncton (ISBA) 2K-5002 Stevenson & The Canadian Night-Hawks, Scotty
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